Bricol'girls

Alain Chabat hosts a brand-new late show for TF1: games, fake ads, stand up, live music and interviews with all the personalities of the entertainment world!

An episodic animated series that sets up zany and eccentric situations. A strange character is introduced and reacts to its context.

When their druid forgets how to prepare the magic potion, Asterix and Obelix must defend the village as Caesar plots to use a Gallic law against them.

After her husband's abrupt death, Alice seeks solace with his remaining family — descendants of a leading researcher on demonic possession. As her in-laws transform one by one into creatures that feed on fear, she comes to discover that the vows she took in life survive even in death.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

A French humorous game show taking place in a burger restaurant which is managed by the TV host.

History's favorite Gauls assist Queen Cleopatra when she wagers that the Egyptian people can build a palace for Julius Caesar in just three months.

In 1993, Max was 13 when he was offered his first camera. For 25 years he will not stop filming. The bunch of friends, the loves, the successes, the failures. From the 90s to the 2010s, it is the portrait of a whole generation that is emerging through its objective.

Local rebellious teenager Clotaire falls for his schoolmate Jackie, but gang violence leads him to a darker destructive path. After years apart, the star-crossed lovers discover that every path they've taken leads them back together.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.