Legendary Reality

Experimental narrative animation using hobbyist 3D animation and inspired by niche genres of computer-generated erotica.

"Poor Magic effects a beautiful yet terrifying rendition of contemporary consciousness, gesturing towards civilisation's listless drift beyond the corporeal, and technology's infinite desire to penetrate and artificially replicate human essence. Computer-generated crowd simulations run berserk in dreamlike repetition, while a 3D endoscopic journey takes us through the body's most intimate passages."

The film portrays a post-human dystopia featuring faceless 3-D avatars continuously tortured in abstract digital space, a terrifying image of a future where all humanity is uploaded to a virtual purgatory and endlessly abused.

Minor Daemon, Vol. 1 is set in a surreal dystopia that feels like the deranged fever-dream of Hieronymus Bosch if he grew up on 4chan. It traces the intersecting fortunes of two young men, Billy and Minor Daemon, who share an extraordinary gift for virtual reality gaming and go through a series of nightmarish events.

An essay film in the tradition of experimental documentarians like Chris Marker or Harun Farocki, Remember Carthage takes the viewer on an epic journey in search of an abandoned resort town deep in the Sahara desert. However, one travels not through archival or personal images but through footage sourced from PS3 video games and Second Life, depicting ancient civilizations that seem at once familiar and totally fantastical.

Kool-Aid Man travels through a variety of worlds from the video game Second Life.

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Jon Rafman's short features computer-generated renders of the Twin Towers and a narration from Charles Baudelaire's "Le Guignon."

""The woods of Arcady are dead, And over is their antique joy;" – with this line begins Rafman's Woods of Arcady. The work juxtaposes a computer generated recitation of Yeat's poem The Song of the Happy Shepherd, along side video of scenes captured from the artist's explorations of the virtual environment of Second Life. The simultaneously fantastic and vapid virtual landscapes documented by the artist are at home with Yeat's imagery "Where are now the warring kings? An idle word is now their glory."

‘Still Life (Betamale)’ draws images from a range of online fetish sites, engaging with the theme of obsessive desire. The narrated version of the album track is immersed in the simultaneously captivating and disturbing world of internet subcultures.

A series of character studies by Jon Rafman, loosely inspired by reddit copypasta.

A compelling mix of attraction and repulsion, Mainsqueeze is entirely composed of footage found online, surfing the deep web.

Two samurais fight on a beach.

In the Realms of Gold (2012) by Jon Rafman - Music by Oneohtrix Point Never Much have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star'd at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien.

This single-channel video explores the effects of technology and information overload on the contemporary psyche. Set in a virtual tech-noir urban space populated by strange hybrids of non-humans and augmented people, part of the expansive, fractured narrative focuses on the continued adventures of Xanax Girl and her search for her companion—a hybrid dog/seal with the head of a boy—who has been abducted. The film, which arose from the artist’s daily practice of animating his dreams using hobbyist 3D software, weaves together deep-web imagery with hardboiled detective story tropes and repressed libidinal fantasies to create a nightmarish vision of an internet addict’s unconscious. The film features an original score by Oneohtrix Point Never and James Ferraro.

SHADOWBANNED (2018) uses the aesthetics of internet conspiracy theories to tell the story of an anonymous narrator on an enigmatic, transdimensional journey. The film unfolds across multiple universes wherein dreams are recycled waste products and meaning has been all but lost. The narrator arms himself with artificial memories of artificial pasts in order to protect himself from the future. SHADOWBANNED is a meditation on the perception of history, esoteric culture and the implosion of meaning in our hyper-accelerated times.