The Stranger in Apartment 9F

A music-filled tour of Christmas good cheer overtakes this gastronomically oriented excursion through the winter season of discontent and yuletime yearnings craving ignition.

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.

Corruption of the Damned might seethe with violence and sex, the two most attractive things you can put on the screen, but beneath them a twisted outlook pervades.

One million years in the future, the human survivors of a nuclear war are served by robots called "fleshapoids." One day, fleshapoid Xar runs wild, kills its mistress and seeks its mate, a servant of wicked Prince Gianbeno.

A shady motel manager becomes obsessed with a neglected wife.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

This film powerfully documents New York City's gay community's response to the AIDS crisis as they are forced to organize themselves after the government's failure to stem the epidemic. Activists who are interviewed include playwrite Larry Kramer, People With AIDS Coalition co-founder Michael Callen (who died of AIDS in 1994), New York filmmaker and journalist Phil Zwickler, as well as representatives from ACT-UP, Queer Nation and the Gay Men's Health Crisis.

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

There is a garden in the dark hunger of his psyche where forbidden fruit grows.

A ripe lad embarks on a raw correspondence with his mirrored image, and thus: the dialogue is "fleshed out" to its full potential.

Secret number... secret shape... knower of the secret name... God of the realm of night - I summon you, 'Son of Sin'... arise!

Playwright and performance artist Marc Arthur paves a color-saturated path from 'awake consciousness' to sleeping 'dreamscape'.

...What once was for him "real," is now but a "dream," --for the day comes when we find ourselves stranded with memories.

It is believed that Life originated in the Sea, and like the Ocean itself, human existance is thus subject to tides and surging currents of emotions stirred up by memory.

'Misery' doesn't like 'company' -- but 'company' does love a 'party', so come join in on a catastrophic celebration, and do 'hang on' tight -- because it's a steep ride down into the depths of a soul in meltdown mode!

Commissioned to be a "promo" for a loud punk rock band, Mr. Kuchar feared that the noise the band made would spoil the mood of his visuals, so he used the sound of a lush orchestra to score the picture and the antics.