Dazzling Mirage

It is the story of Ajani, an undergraduate at the University of Ibadan who is in his final year. He is under pressure from his mother to find a partner, and unwittingly finds himself in a love dilemma - dating three women simultaneously; Asake, a secondary school teacher, is his long-term girlfriend. He meets Lola, a fresher who is tall, slim, and pretty. The situation gets complicated when he meets a childhood acquaintance, who eventually takes center stage in the 'drama of love'. Asake's father badgers her to sever her relationship with Ajani but she however falls pregnant and Lola finds out and Ajani has to choose a wife under duress from his mother.

A clique of land speculators enlists the help a traditional chief to sell ancestral land fraudulently to a business man who plans to build a petrol station. The community resists this affront which ended in a modern law court.

Set against the backdrop of a beautiful range of hills and valleys in the southwestern Nigerian countryside, AYINLA is inspired by the life and times of Ayinla Omowura, a popular Yoruba musician in rural Nigeria.

Adapted from the eponymous novel by Nigerian author and poet Femi Osofisan, Cordelia is a romantic period-drama where romance meets politics. This novella starts with a lecturer in a disturbed state about his marriage, which is resulting in an inability to teach his students. One of them later confronts him in his office about his shoddy lecture, and the student in question is accompanied to the lecturer’s office by another student named Cordelia. But little does our lecturer know that Cordelia is about to be at the center of a major riot at the institution.

Before he became Africa's first Nobel Prize winner in Literature, a small campus bungalow at the University of Ibadan played an outsized role in the life of a man, Wole Soyinka, his family, his university, and the nation. Here's the story. How do we preserve not just what we remember but the physical markers of such transient memory?

Abeni is in love with Akanni, the son of Chief Bello's former gateman. But Chief Bello is not in support of his daughter's intention to marry a pauper's son. Will Chief Bello succeed in breaking the bond between the lovebirds?

A mother’s attempt to save her twins ends in their separation, setting off years of loss until fate brings them back together.

After Asiyanbi’s public confession, the only surviving member of the land selling gang is banned from the community and stripped of his chieftaincy title. Surviving from a boat mishap, he is catapulted into another land and a series of adventure. Finding pity and love from Madam Akere, his restless soul is tormented by a guilty past and an uncertain future.

Kòseégbé is a 1995 Yoruba drama film directed by Tunde Kelani based on a stage play of the same name by Akinwunmi Isola.

Part 2 Sequel to Ò Le Kù. It is the story of Ajani, an undergraduate at the University of Ibadan who is in his final year. He is under pressure from his mother to find a partner, and unwittingly finds himself in a love dilemma - dating three women simultaneously; Asake, a secondary school teacher, is his long-term girlfriend. He meets Lola, a fresher who is tall, slim, and pretty. The situation gets complicated when he meets a childhood acquaintance, who eventually takes center stage in the 'drama of love'. Asake's father badgers her to sever her relationship with Ajani but she however falls pregnant and Lola finds out and Ajani has to choose a wife under duress from his mother.

The final part of the trilogy, Asiyanbi (Kareem Adepoju) having been presumed dead after going into exile suddenly returns. He launches a desperate bid to regain his position in the community throwing an otherwise peaceful town into chaos. However and inevitably, he is confronted with his suspended guilt. He meets his nemesis and pays the price for greed and avarice. He has to complete the circle of chain of death which has already claimed JP and Sanya in the triangular bond of fraudulently selling ancestral land, the penalty of which is death.