Farewell, Sui Géneris

A young woman remembers her three previous love relationships just before she gets married.

A diplomat is sent to Wallachia late nineteenth century. There he meets a young princess. Back in Buenos Aires, and a century later and turned into a vampire, he meets another woman.

Celina, a young woman dedicated to her children and her home, is going through a marital crisis when she meets Vito, a drug-addicted teenager from the neighborhood whose greatest aspiration is to play soccer on a professional team.

In this surreal (and little seen) Argentinean film, a rich upper class family's secrets are exposed during the course of an evening meal. Tensions mount as emotions run high and taboo subjects are explored such as incest and politics. As their dinner table conversation begins to escalate into physical and verbal altercations, the family awaits the arrival of a friend named Hallewyn. When the night is over, will their friend still be joining them?

Cinematographic exercise by director Alberto Yaccelini, where through metadramatic procedures we are presented with the dilemma of the veracity of the documentary as a means of communication and reflection of reality. An apparently fragmentary, incomplete work that manages to fully reflect the complex personality of the protagonist. And, by extension, the complexity of personality.

A man who meets with his lover in a hostel is caught in the act by his mother-in-law, who alerts his wife and lawyer.

M., a right wing priest, discovers through three key meetings - with the army, a bourgeois family and a "third-worldist" priest - that your ideology is out of time.

A wife tries to leave her village to get away from her abusive husband.

A businessman in a good economic position spends his leisure time making asados, going to the races or going out with friends. He has a wife and a lover, but he can't satisfy either of them.

The life of "El Pibe Cabeza", a real-life Argentine gangster in the '30s.

Based on the lives of four boys, all of different social classes and psychological makeup, this film tries to reflect through them the political history of Argentina during the years leading up to the Malvinas War.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

Documentary that reflects a moment in the restoration of a musical icon of Argentine and universal culture. It is about the convergence of craftsmen, architects and engineers, conductors, opera singers and regisseurs. workers and artists. Testimonials from professionals, acoustic measurements, giant frescoes and choral or chamber pieces make up an audiovisual symphony of the Theatre.