Friendly Fire

An exploration of the visual and psychological parallels between the American western frontier and the conflict in the Middle East.

A film about smoking.

This is a film exploiting inventive techniques of animation in an attempt to realize the world that may await us after death. Using found pornography as part of the film and literally scratching skeletons over the footage frame-by-frame.

An experimental short-film set to a frantic soundtrack by Felix Kubin depicting abstract bug animations.

An exploration of the impulses that prompt hunting and the resiliency of people and animals in times of battle during 300 years of American history.

An interstellar Sex Capade of Astro-Porno-O-Naughts strobing and sucking through the Outer Limits. NASA Nymphets float through the Galaxies insinuating rocket blow jobs and releasing their Planetary Pleasures, ending in the dispersion of a capsule/parachute. Originally a double-projection of 16mm color space footage and animated, hand-colored collage animation Super 8.

Super 8mm color stop motion animated film with hand painting of painted collages of vampires from throughout 1960’s and 70’s advertising.

A lyrical telling of the coming of age of a 14-year-old boy who learns to cope with his new found sexuality and his unrequited love for the cool kid in school.

Elaborate film cut up by Martha Colburn. Music by The Jaunties (Jason Willett & Benb Gallaghar duo).

A stop motion animated 16mm film combining the Wizard of Oz and the hunt for Bin Laden, with music by V. Vale and Jad Fair.

Short film portrait using narration and artworks by Pat O’Neill and edited by Martha Colburn.

In a time of universal manipulation, deceit and monopoly a failed attempt to strip our identity both individual and collective are transcended by our true in identity in Christ the Lamb.

Pat O'Neill narrates his photographs made between 1965 & 1975 approx.

Short film portrait using narration and artworks by Pat O’Neill and edited by Martha Colburn.

Short film portrait using narration and artworks by Pat O’Neill and edited by Martha Colburn.

Pat O'Neill narrates his photographs.