Madrigal Para um Poeta Vivo

In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.

A journey into the psyche of Atanásio, a doorman in Copacabana, confused while attempting to understand his desires and aspirations.

Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.

To start again, one has to destroy.

As a powerful storm sweeps through Southeast Mexico, a family takes refuge in their small meat shop. In the dead of night, their grandmother weaves an ancient tale of the Xtbay-a spirit born of grief and longing-to help them confront their fears and hold onto hope as their father is lost in the storm.

The Bony Lady (La Flaca) is a film about Arely Vazquez, a transgender woman and leader of the Santa Muerte (Saint Death) Cult in Queens, New York. During her yearly celebration to the Bony Lady (‘La Flaca’ as she likes to call her), Arely faces a lot of challenges to fulfill a promise she made ten years ago.