Glaube, Liebe, Hoffnung

Continuation of Andreas Voigt's Leipzig films.

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

Voigt, Kroske and Richter were among the first filmmakers who documented the events of the historic 9th of October 1989. Their “material” reflects them from different angles: protesters, workers, opposition members, policemen, street sweepers and functionaries. THE document of the “peaceful revolution”.

Short biographical documentary about the life of Alfred Florstedt and his life as a progressive communist from the Weimar Republic to his death in 1985.

18 years after the last film, Andreas Voigt returns to the protagonists of his Leipzig films.

Director Andreas Voigt interviewed people of different ages and social backgrounds about their experiences after the fall of the Berlin Wall. He paints an important picture of this historic period in German history, filled with radical social and economic change and insecurity. Last Year Titanic was shot from December 1989 through December 1990 — the last months of the GDR and the first months in united Germany.

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Under the artistic direction of director Andreas Dresen, 20 renowned documentary filmmakers, experienced television writers, and teams tell stories about the country and its people. The teams filmed at 20 different locations between June and August 2010 under the same production conditions: four days of filming, one week of editing.

The river Oder: A historical and cultural land-scape churned again and again by the tide of events of the past century. A tale told in concentric circles about a region which was and still is the scene of the beginning, end and open middle of voluntary and involuntary migrations. Virulent issues of daily life and politics that, asked with confident casualness, provide a robust account of the present.

A film about five refugees living illegaly in five European countries.