Chintoo

In today's urban Indian lifestyle where more relationships seem idealistic and flawless, an archaeologist encounters his look alike and the disturbing past of the look alike's aging mother in rural Maharashtra. But was his father responsible for the plight of this old woman. The film is an emotional story of a romance failed by a cruel twist of fate, a confrontation of shattered family values and rebuilding of human bonds.

The film encompasses some of a lifetime span of the legend - "The Father of the Indian Unrest". Inspired by the ideologies of Bal Gangadhar Tilak, Makarand, a journalist, tries to incorporate his values in the changing political scenario in India.

In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Amar works as a private detective and tries to make his overbearing wife happy. He becomes involved in a police investigation and has an affair with his client's paramour.

Rajaram leads a simple life with his family in a haunted chawl. When Parveen Dholakia, a builder, learns about the chawl, he decides to vacate the place and redevelop it for his benefit.

A detective investigates a series of murders where the killer leaves a canvas painting beside the dead body of the victim.

One day, five college friends skip class and come across a house conducting seemingly strange activities. Soon, they find a bunch of innocent kids trapped inside and decide to investigate.

"Kawdu and Bhulabai are a tribal couple living in a tiger reserve somewhere in Maharashtra. Their idyllic life gets a rude shock after Kawdu (Upendra Limaye), who had gone into the forest to fetch a medicinal root for his ailing baby, is arrested on charges of having killed a tiger. Desperate to save the life of her baby, Bhulabai (Vibhawari Deshpande) rushes to a Christian missionary, and showered with care and concern, embraces Christianity under the belief that this new god has different powers from her “own” gods, and will solve her problems. However, freeing her husband from jail is another affair, and for this she is advised to seek the help of Naxalites living in the nearby forest, through whom she acquires a new deity—Karl Marx. Even as these new gods find their place on her altar beside Waghdeo and Naagdeo, the traditional nature deities of her community, the community itself shuts the family out for having dropped its own gods." - Aparna Pallavi