Meidän poikamme ilmassa – me maassa

Martti Vaara, secondary school graduate gets monetary help from his rich uncle under the pretense to get married and have kids. When the uncle unexpectedly arrives to look at the little one, Martti persuades his friends to get involved on the hoax.

Without knowing about each other, bachelors Salomon, Arvi, and Martti each hire a domestic helper for their shared apartment. The job goes to the energetic professional Manta and the modern young women Helvi and Aili, who are looking for a position to prove their point about the issue of domestic service.

“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.

In the small village of Nuottaniemi live Iisakki and his daughter Hanna. Iisakki bears a grudge against Heikki, blaming him for the death of his son in a timber rafting accident. To make things worse, Heikki's son Juhani wants to marry Hanna but she only has eyes for the lumberjack Antti.

Eetu, a wealthy homeowner, attempts to seduce Leena Kosken. But when austere log boy Erkki meets her at midsummer dances, Leena falls in love with him instead. Jealous, Eetu turns the men of the village against Erkki and the Tukki people.

The story, set in the 19th century, revolves around the hot-blooded Jussi, a young farmer, and his friend Antti and their brushes with the local nimismies (sheriff) and the häjyt (badmen). The film, shot on location on the plains of Ostrobothnia, conveys a good sense of its unique landscape. Both Järviluoma and the director, Jalmari Lahdensuo were from Ostrobothnia and the film suc­cessfully expresses a feeling of the true spirit of the province.

The main characters are the artist Bertel von Bjelke and Hilkka Kanno the adopted daughter of the town councilor. Bertel is in love with Hilka, who, however, behaves badly with the artist. This does not prevent the artist from asking for the girl's hand from the town councilor Kanno, who accepts his friend's request. Kanto stresses, however, that the final decision is up to his daughter.

Örn, an aging countess, finds herself reminiscing about the tragic fate of the young lovers Carl-Johan Örn and Margareta by the family tombs.

The Drakenhjelm family has lived in the Rautakylä manor for over 150 years. The current master of the house, elderly baron Magnus, has been living for a long time in an unregistered relationship with his housekeeper Lisette, with whom he also has a son, Sebastian. After the baron falls gravely ill Lisette starts getting worried about losing everything, so with Sebastian on her side she demands the baron to write a letter to the pastor and ask him to come over to perform a wedding ceremony. Right after Sebastian has left to fetch the pastor, a threesome seeking shelter from the storm comes to the manor and wreaks havoc on the marriage plans.

Young married couple, Martti and Ulla, are spending a carefree weekend at their Rauhanlehto villa. Their peace is disrupted when the in-laws and Ulla's sister Alli, come to visit.

A historical drama depicting the Finnish struggle against Tsarist Russia. Opens at the Winter Palace in St. Petersburg in February 1899. Tsar Nicholas II signs the February Manifesto, the purpose of which is to abolish Finnish self-government. An act that arouse widespread opposition in Finland.

Forester Antti Kare and manager John Freyberg travel north in search of millions worth of timber sales. The manager's giddy daughter Margit also secretly joins the journey.

In northern Finland in the fall of 1916, Saima Niva rescues a man drifting in the river, who turns out to be a German lieutenant Braun. Braun and his six comrades have managed to escape the prisoner of war at the Muurmann railway station, but the lieutenant has had to get rid of the lost group. While Braun is recovering, under the good care of Saima, Niva's neighbor and henchman of the gendarmes, the greedy policeman Simpura, gets a tip about the refugees camped in the desert.

A couple move to an isolated house where – according to local legend – an ancient curse is rumoured to assail its inhabitants. Based on the novel by Väino Kataja (1914).

The silent comedy The Engagement of a Student in the Oak Tree (1920) is the first film by producer-director-screenwriter Erkki Karu. It has survived in parts, but there is no more detailed information about its plot. The film was filmed in Tampere and Teisko in the summer of 1919, as was its parallel work Sotagulashi Kaiun järitty kesäloma (1920).

Medical student Antti Ahonen, who is fighting tuberculosis, finds himself in the middle of a love triangle with his friend Heikki Huhtamäki and his crush Helmi Hirvinen.