A Band Rabbit and a Boy

Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

When a gifted ER surgeon is thrust into cosmetic medicine, her clash with a celebrity doctor exposes the greed and desire beneath the glamour.

A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...

Utsumi and Seto's daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play, agonizing over the content of an email to be sent to a girl, and, at times, talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

A gas leak explosion at a yakuza hideout provides a shy nurse and a rental car clerk with the opportunity to take a briefcase full of money. A cross-country chase ensues.

Shuji is an uncompromising young filmmaker at odds with Japanese society. One day he learns that his loan shark brother, who had helped to finance his films, has been executed by his own yakuza gang for failing to repay his debts.

Akemi is unable to get over the death of his girlfriend, but a book leads to his encounter with Akane, a woman with a wonderful smile. He gradually falls for Akane, who soothes him with her positive outlook and cheerful disposition, but Akane has a boyfriend who has a limited amount of time left to live.

Kotaro and Kuroe marry almost immediately in a Christian ceremony and move into an apartment. Life is completely joyous until, one day, Kuroe falls ill.

Rinko, a woman in a sexless marriage, is blackmailed by a stalker with intimate photos, forcing her into a series of erotic acts that disrupt her mundane life.

Koji Shiraishi interviews the survivors of an indiscriminate attack at a sightseeing resort and starts investigating the strange events that have been happening to them.

Maeda decides to have an operation to cure his color-blindness, but he becomes afraid that after the operation, his world is not going to be the same.

Sakiko, a young bank teller, has an unhealthy obsession with money. Thieves hold up the bank, kidnapping Sakiko in the process, but eventually crash their car, resulting in a suitcase stuffed with cash falling into a nearby river. For the remainder of the film, Sakiko begins a desperate quest to retrieve the money.

Haru works at a part-time job for a bookstore. Her dream is to become an illustrator and she also loves cats. One day, after a cat named Chibutomu disappears from the bookstore Haru canvasses the neighbourhood in search of Chibutomu.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival