Beau comme ailleurs

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

A tiny baroque ode to fleeting darkness and pretty make-believes.

The documentary Little Big Girls by director Hélène Choquette sheds light on the phenomenon of early-onset puberty. Today, it isn’t unusual to see the earliest signs of puberty in girls younger than the age of 9, though this was not the case a few decades ago. The result, inevitably, is a disconnect between the girls’ physical and emotional maturity. Far from being a marginal issue, early-onset puberty is fast becoming a worldwide public health concern. A number of causes are suspected: Could obesity and exposure to environmental contaminants, for instance, be to blame? While the causes may still be misunderstood, the physical, psychological and psychosocial repercussions on young girls going through this change so early are all too visible. Little Big Girls alerts us to the need to adapt, as a society, so as to minimize the impact of this phenomenon on our children.

In this autobiographical animated short, Elise Simard crafts the story of a young girl seeking self-discovery and rebirth. Drifting between real and imagined events, the film uses time-lapse photography with ink and pastels, creating a haunting, compassionate exploration of addiction and existence.

Carmela’s fear intensify, as she struggles to protect her son. Desperate, for help, she falls victim to a series of cruel encounters with the Muse, the Angel, and the Demon

When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.

Bear wakes to yet another ordinary day

A rejection of romanticizing alcohol.