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The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

Arcade Fire released their live film recording 'Live at Earls Court,' in 2015. It was recorded during the band's shows at Earl's Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.

A double screen projection film portraying the city of Compton, and a beguiling non-linear paean to everyday moments of life, death and magic — with tracks from Kendrick Lamar's album "good kid, m.A.A.d city" as the soundtrack.

Adapted from Kahlil Joseph’s renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.

Travis Scott takes his audience on a mind-bending visual odyssey across the globe, woven together by the speaker rattling sounds of his highly anticipated upcoming album "UTOPIA". A surreal and psychedelic journey, uniting a collective of visionary filmmakers from around the world in a kaleidoscopic exploration of human experience and the power of soundscapes.

Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.

Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”

Process is a striking, avant-garde portrait of Sampha using documentary-style footage to depict his roots in Morden, South London, and Freetown, Sierra Leone.

Filmed in Grayson, Oklahoma, Wildcat meditatively combines documentation of a Black rodeo subculture with an abstract portrait of Joseph’s aunt who helped found the event.

A conceptual and collaborative approach to contemporary journalism and entrepreneurship. It uses media as an ongoing work of art in the form of a two-channel video installation. The project explores the dimensionality of the news media format, interrogating the possibilities of truth while being aware that truth is also the foundation of ideology. News can be more than just current events and human interest stories. It can be a non-linear event, such as in the way Sesame Street delivers information to toddlers or ESPN to sports fans. BLKNWS is for people who have had enough of politicians, pundits, talking heads, oligarchs, and fear mongering.

Commissioned by Tate Modern, Black Mary beautifully fuses Joseph’s documentary, performance, fiction, and music videos in a single, breathtaking presentation of the singer Alice Smith.