Aerograd

Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period. Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.

A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists. The story of the suppression of the Bolshevik uprising at the Arsenal factory in Kyiv by the Central Council troops.

During the agrarian collectivization process in the Soviet Union, Vasyl, a peasant member of the youth division of the Communist Party, gets a tractor with the help of a local party organization and plows private boundaries on kulak fields. However, this enthusiasm will cost him dearly.

Wartime documentary by Dovzhenko and Solntseva.

The film-remembrance of the creative fate of the Ukrainian Soviet film director Alexander Dovzhenko, shot on his diaries. It has his statements about his work, about the role of the artist in society, his plans and sources of inspiration, his artistic style and the peculiarities of his worldview. Used excerpts from his films and documentary footage taken during the director's life, as well as filmed fragments of the unfinished scripts " The Death of the Gods” and “Tsar”.

An old man tells his grandson of a legendary treasure buried beneath the hills of Zvenigora, setting in motion a sweeping cinematic poem that intertwines Ukrainian folklore, history, and revolution.

About the life of the Russian biologist Ivan Michurin. 1912 year. Having rejected American offers to work abroad, Michurin continues his research in the Russian Empire, despite the fact that his ideas are not perceived by the tsarist government, the church and idealistic science. Michurin is supported by prominent scientists of the country and he continues to work hard. After the October Revolution, a small Michurin garden in the city of Kozlov (the biologist's homeland) becomes a large state nursery.

A 1943 Soviet war propaganda film by Ukrainian director Oleksandr Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkiv. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.

Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Ukrainian film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war.

About hardships of the first years of War, which fell to the lot of ordinary people in Ukraine, who got under the yoke of fascist occupation, and heroic struggle against the invaders. A young Russian woman asks a Red Army soldier to spend the night with her in the wake of the Nazi invasion. Fearing she may soon perish, the woman hopes for one night of romance before what could be a horrible demise.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

A Soviet dam project means that many old Ukrainian villages will end up under water. There are conflicts between the dam engineers and villagers who don't want to move.

Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.

While watching Dovzhenko's Earth a young man imagines himself a painter in a Ukrainian village in the 1930s. All is pastoral idyll until the authorities arrive with Soviet wrath for tradition and religion.

Jean, the hairdresser, is flabbergasted: what is that baby his girlfriend Lisa has put in his arms out of the blue? The fruit of love? Out of the question. From that moment on, the reluctant father has but one thought in his head: he must get rid of the cumbersome 'article'. And, take his word for it, all the ways are good.

An unfinished film by Oleksandr Dovzhenko, the film is a political lampoon based on the book entitled The Truth about US Diplomats, written in 1949 by the American writer Annabel Bukar. It exposes the underhanded actions of US Embassy personnel in Moscow at the onset of the Cold War. Dovzhenko managed to shoot only a half of the film, mainly the scenes that take place in the American Embassy.