Love Jo. Right Now.

An aspiring children's book writer agrees to write erotic web novels to pay her car repair debt – with unintended consequences for her coworker.

Rookie journalist Woo-ri takes on a dating and relationships column and meets Ja-young through an app, where their casual encounter begins to deepen.

Ga-young, a filmmaker, visits Seong-bum, an art instructor, to consult on her affair with a married man. The two were once lovers of each other, though that does not stop Seong-bum from becoming a love counselor for Ga-young. Yet, they don′t just consult, but begin exploring new feelings for each other.

One day, Ga-yeong walks into her ex-boyfriend's house and asks for sex. She doesn't plan on going back home without reaching her goals so she whines and Jeong-hoon is about to give in. Will Ga-yeong get what she wants?

Sun-mi works at a reception desk of a public institution in Daegu, Korea. Nothing happens to her, and she has the same lunch every day. One day, a message is sent to her. This little incident in her ordinary life stimulates her curiosity. Saturday morning, a film director Ga-young participates into a Q&A section of her new movie entitled The Murder at Cinema. Eun-jung, a foreman in a production line, tries to find Min-cheol who disappeared with the book of accounts. She meets his acquaintances to ask where they saw him, and finally she heads to the cinema where she heard that he often visits.

A woman wearing a short skirt pick up a man with a lover.

An ominous future that will blow in a few minutes to a lover whom I met for the first kiss.

Kyu-il does not like to do the first kiss on the spot

Under the pretense of research for her scenario, Ga-yeong interviews a man she’s been wanting to get to know. She probes him for intimate details including his sexual fantasies. He answers in all sincerity and she slowly reveals her desire for him.

Gayoung, a director, expects to hear a farewell confession from her boyfriend, who's an actor. (Part of "100인 X 100초영화 프로젝트", a project dedicated to celebrate 100 years of South Korean cinema.)

The man on the bench is called, and the woman who is watching him from a distance approaches the man and tells him how he came.