Prinsessan

A family in crisis during the holiday of Easter

Opera's most popular double bill, fondly known as Cav and Pag, conducted by Herbert von Karajan. In 'Cavalleria rusticana', Turiddu returns from military service to find that his fiancée Lola had married the carter Alfio while he was away. In revenge, Turiddu seduces Santuzza, a young woman in the village. In 'Pagliacci', the drama unfolds as Canio (Pagliaccio) struggles with rage, despair, and desire on learning of his wife Nedda's intended infidelity with Silvio. Canio's tragic conflict increasingly mirrors the comedy of Pagliaccio.

Petter and Lotta are excited to celebrate Christmas for the first time with a real Christmas tree and Christmas presents.

A young woman dies by suicide and leaves all her belongings to her next-door neighbour, who becomes determined to investigate her reasons for taking her life.

Eva discovers a contest of an altarpiece. Her husband Adam makes a simple sketch. Adam wins the competition. The success makes Adam famous.

When a vagrant family arrives to the village Vindinge one hot summer in the 1920's, the parish is spiced up with sex and alcohol. Based on a novel by Swedish Academy member Artur Lundkvist.

Herkules Jonsson's father has never time for his son. Hercules mother is the secretary of the Banan Monopoly and owns a special pen with magic powers.

A wealthy butcher, fond of liquor and women is about to marry a much younger woman. The woman's father has locked himself in the attic and refuses to come to the wedding.

A member of a highly successful crime drama series is found murdered in a television studio. The screenwriter of the TV-series is found as prime suspect but claims his innocence and tries to clear his name. But who is the murderer and what is his motive?

Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.

An old fisherman is feeling lonely and begins to long for death.

Concert performance produced for UNITEL in 1967

A comprehensive portrait of one of the 20th century's most brilliant and charismatic conductors working with three great orchestras: The Berlin Philharmonic, the Concertgebouw Orchestra of Amsterdam and the Vienna Philharmonic, performing works by Beethoven, Mozart and Bruckner. Kubelik didn't arrive on the podium trailing clouds of glory like von Karajan or Leonard Bernstein. He seemed to just appear there, shyly and without fanfare. His 'bed hair' curling outward, making his head look like the letter w. His appearance and demeanor suggested that a timid, tentative performance was likely. Then he'd rip into a taut and crisp Eroica or an effervescent, crystalline Prague Symphony.