Swimming Stone

Hunter S. Thompson went to the 1968 Democratic Convention in Chicago as a journalist and returned home disgusted, yet motivated by what he’d just seen: violently suppressed protests, riots, corrupt politicians, and abusive cops. Back in Aspen, he finds more of the same. The local police and sheriff’s departments are targeting young people, harassing and charging them with absurd crimes and trying to push them out of town. Hunter decides he has to do something to change the police brutality that has become the norm.

A documentary film about the exploits of the 10th Mountain Division, an elite group of mountain climbers who fought decisive battles against the Nazis in the Italian Alps during the final days of World War II. From the intensive training atop the Colorado Rockies to the spectacular night climb of Italy's Riva Ridge.

The South American continent is a land of great extremes, stretching from the Antarctic to the Equator. It has the planet's greatest river system, longest mountain chain, biggest and richest rainforest and driest desert. Using the latest camera techniques, including infrared night vision cameras, rarely seen animals are revealed, while a special aerial camera soars over the continent, revealing an entirely new perspective on its varied and dramatic landscape.

Sir David Attenborough narrates this critically acclaimed series that dives deep into the marine environment of Planet Earth. Although two-thirds of the world's surface is covered with water, scientists know less about the oceans than they do about the surface of the moon. This limited series travels from various coasts to the poles to examine watery denizens ranging from the gigantic blue whale to microscopic coral polyps.

A documentary about a legendary American film maker/aviator Robert Fulton who was contracted by the BBC to film aerial cinematography throughout South America.

"Like STREET FILM PART ZERO, PARIS BIRTH manifests with the employment of four projectors running simultaneously with image overlap. The film opens with one projector showing the film-maker's wife walking down a Paris Street. Short bursts of film, flash frames, jumps, and the gentle flow of motion and subtle color highlights the scene. When the other projectors are switched on, shown are isolated events leading up to the birth of a child. The mystical beauty of the film cannot be ignored and the pacing of the four images afford a kind of universal intimacy into the human condition of constant flux. Ordinary events, such as walking down streets, pouring coffee, talking on the telephone become extraordinary on the level of recognition of the regenerative process going on inside and outside the viewer."—Susan Headley

An impressionistic film shot in Cuzco, Machu Picchu, and outlying villages of the Andean center of Peru's Inca Empire. Inca Light captures in a fast fluid motion impressions of life today that refer us to the past society that has also dwelled here.

David Attenborough sets out on an intrepid quest across seven continents to create a unique television event to celebrate the wealth of natural features that makes Planet Earth so varied, so distinctive and so spectacularly beautiful.

Filmed in Kenya, Tanzania, and Uganda. Beginning with Genesis, the film follows the progress of civilization through to modern day Nairobi. Biblical themes combine with pulsating African music, wild animal sounds, and vivid imagery. Unusual juxtapositions of Bob Fulton's quick cuts and Brown's big lens shots of mega fauna and tribal dances mesmerize viewers.

Nature is our common impressional and biological ancestor. Its history is now, an open book of essences which we have largely, through the intervention of the industrial state, forgotten how to read. This film is a return to immanence, a restorative immersion, and does what film is best at: inducing a mood of informative ecstasy.

Glen Denny observed: "This film is not ocean, it is panther stalking jungle." Camera flows because it is free to move through space.

Short film By Robert Fulton.

Nature, gymnastic movements, a cat...

After two years of filming, director Howard Brookner brought inventor and photographer Robert E. Fulton III a trunkful of William S. Burroughs footage to see if Fulton could edit his film. The result was a decidedly experimental 23-minute cut. The director was looking for a more narrative approach, so Fulton’s edit was never used.

Behind the scenes look at the recording of a Dr. Pepper jingle. Commercial work.

Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.