A Rosa do Adro

Traveling by car to Sintra, a mysterious lady, arriving in Lisbon by ship, is the victim of an accident.

Between the elegant areas of Cascais and Lisbon, dangerous delinquent Barbanegra acts under the identity of the insinuating Marquis de Serpa.

Beiras, 19th century. The rapturous fatalism and the love tragedy between Teresa de Albuquerque and Simão Botelho, who survives the intolerant dispute between their noble families. Emphasis on Baltazar Coutinho’s (Teresa’s cousin and suitor) lethal rivalry, on blacksmith João da Cruz’ unconditional protection, and on Simão’s submissive adoration for his daughter Mariana…

The amorous sacrifices of the daughter of Tomé da Póvoa, Berta, with the gentleman Jorge and, in parallel, the warm connection of the other son of Dom Luis, Maurício, with dedicated cousin Gabriela.

A pious family, a non-believer, and a little boy who suffered an accident, whom a doctor believes is forever doomed to crutches: can he walk normally again due to his faith in the Virgin of Lourdes.

Two villagers have adopted a child abandoned on the road. A jealous kid drags him away from the village. He is collected by a traveling circus where his kindness attracts him the affection of all and especially that of the animals. One day he finds his mother and his two adopted fathers.

Reconstruction of Bernadette Soubirous's life (1844-1879), a 14-year-old girl that catholics believe had eighteen visions of Mary, the Mother of Jesus, in a grotto near Lourdes, France. The place became a peregrination centre since then.

Jean is ten years old and imagines that he is the cause of the misunderstanding that occurred between his parents. He leaves the military institute where he studies and becomes the protégé of an opera singer at whose house, one day, he surprises a thief who blesses him. His parents reconcile at the foot of his hospital bed.

Madame Fidias suffers with jealousy of all those young women who pose for her husband's sculpture work. She fights to get Phi-Phi's (her affectionate name for Fidias) attentions back, using her feminine charms and cunning.

A washerwoman works so long for the same bosses that she gets to like their young son very much. One day she is unjustly accused of robbery, and dismissed. She suffers in her loneliness, until the day she hears that the boy is terminally ill, and there's no medical hope for him. She comes back and sits by him, praying to Saint Thérèse de Lisieux - and the miracle happens.

The domestic misfortunes of Duarte Tinoco, a married man with a free heart. At a time when the leading filmmakers in Portugal were foreigners working under contract with Invicta Film, the possibility of Portuguese artists with special skills moving into directing was a key project for that production company. This is how António Pinheiro, an acclaimed actor, came to direct Tinoco in Bolandas. The experience proved positive and was continued in another film. To make this film, António Pinheiro enlisted the help of his mentor, Georges Pallu, who had directed him in several films. In addition to appearing in the cast, Pallu was also responsible for adapting the play on which the script is based.

Luísa has been married to Jorge for three years. He is about to leave on a mission to the Alentejo when she finds out about the arrival of his cousin Basilio after a long stay in Brazil, where he seems to have made a fortune.

The widow of a soldier in the 1914-1918 war, running an inn called "Au rendez-vous des veterans", is happy to see her daughter in love with an officer whose father was once in love with La Madelon.

A tradesman authorizes his wife's first husband to replace him in order to hide from a brave, very rich aunt that his niece is remarried and thus saves himself from bankruptcy. He is indeed saved from it but loses his wife won back by her ex-husband.

Two young people, during a hike on the C te d'Azur, meet a woman of great beauty whose driver has a sinister appearance. They find her in a castle. In reality it is a lunatic asylum whose head doctor has lost his mind. notes: Lilian Constantini protested after the presentation of the film, on the way it had been sounded. Indeed, the voice that had been lent to him had had the gift of bringing joy to the public.