Flower of Oblivion

Free and a multi-talented artist, Habiba Msika was one of the brightest stars of her time, the twenties. Inspired by the real-life of the artist, the film evokes the last years from 1927.
 Punctuated by the jolts of a changing time, this tumultuous stage in Habiba Msika's life was branded by the love that Mimoun, a wealthy landowner, and Chedly a young poet from a good family, both dedicated to her. In Berlin, during a triumphant tour, she meets the oriental music star, the Iraqi Baghdadi, and is introduced to Parisian life by Peter, and a dandy of disconcerting charm. Back in Tunis, Habiba Msika's life is carried away by the frenetic whirlwind of success, controversies, and thwarted passions until the final tragedy of her death.

Back in Tunisia for her uncle's funeral, Lilia reunites with a family that knows nothing about her life in Paris, particularly her romantic life. Determined to uncover the mystery behind her uncle's sudden death, Lilia finds herself confronted with family secrets.

Adopted by a treacherous semi-scientific cult where extraordinary mental powers are common, extraordinary 12-year-old David begins an archetypal journey across two continents to find his destiny as Child of the Moon.

A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.

Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.

The journey of three women of different ages and conditions in the midst of the turbulence of the summer of 2013. These three imaginary stories draw their reference from prototypes of more or less known women who participated in the Bardo sit-in, will be treated as a fiction against a backdrop of historical events whose images will be drawn from the archives of this period that marked the short history of Tunisia, after the revolution. Thus highlighting the journey of the three characters and that of a country in full turmoil.

Through the history of the traditional female costume and the sum of the signs with which it is charged, the heroine of the film goes in search of her identity.