An Outrage

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

Viewers learn from curators, journalists and art critics about the ways in which the Obamas’ portraits commissioned by the Smithsonian’s National Portrait Gallery disrupt traditional presidential portraiture and spur museums to reach new audiences. The paintings of the ex-commander in chief and first lady, by artists Kehinde Wiley and Amy Sherald, were revealed to much fanfare at the National Portrait Gallery in 2018. The portraits — which drew record attendance to the Washington art museum — have since traveled the country as part of a nationwide exhibition.

Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.