Um Dia é da Vida, o Outro da Morte

A lesson in conciseness, expressiveness, and humor on the inexhaustible theme of the dream of making movies. A parodic lesson, a Brazilian version of historical scenes filmed by the Lumiére brothers in 1895—the baby, the bath in the garden, the workers leaving, and the arrival of the train. The melodrama of a couple of lovers through time and the history of cinema. Many sequence shots, as preferred and taught by Cinema Novo. Everything about a film being made and being watched. The language of cinema (shot, reverse shot, tracking shot, editing, mixing, dubbing, etc.), interspersed with quotes from Humberto Mauro, Godard, Glauber Rocha, and Rossellini.

For the eyes of the Lord range throughout the earth to strengthen those whose hearts are fully committed to him. You have done a foolish thing, and from now on you will be at war.

Claudio walks around the city without realizing that he is being followed.

Maria is the daughter of an evangelical pastor full of secrets. One night, father and daughter are being chased by a strange hooded figure.

Raquel has been dripping for six months, but it seems that today everything will melt.

One afternoon, four young people meet and share experiences about being bisexual in a world marked by heteronormativity.

Julia and Fabiana are bored, working inside their apartment, until the two find a mysterious board game.