Lights Out

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.

A young schoolteacher descends into personal moral degradation after finding himself stranded in a brutal, menacing town in outback Australia.

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

Anthology series of dramatic works.

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

A semi-fictional account of life as a professional football player. Loosely based on the Dallas Cowboys team of the early 1970s.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Single mom Kathleen Russell (Roma Downey) and her daughter Zoey pretend to be Kathleen's boss's "family" so he can close a major business deal with the mysterious Mexican financier Javier Del Campo.

Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.

Paul Fein is a veteran police detective whose son Eddie is also a cop. Paul is assigned to investigate the murder of a prominent businessman, and he soon learns that the field of suspects has been narrowed down to two—the victim's sexually freewheeling wife Anna, and Paul's wild-child daughter Jackie. Neither Paul nor Eddie believe that Jackie could have committed the murder, and soon Paul is using himself as a decoy in a bid to find out more about what Anna does and doesn't know about her husband's death.