Cuando los duendes cazan perdices

A boy travels from Chaco to Buenos Aires taking with him an elephant that saved from a circus.

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

Documentary about Argentina's victory in the 1978 FIFA World Cup, held in that country during its last dictatorship.

In the wake of the husband's infidelity, a mature marriage faces separation. But his daughter, in complicity with the boyfriend and the father, hatch a plan to make friends with them.

A gambling priest opposes a group of scammers.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Three stories told in a Turkish bathhouse: two braggarts are mocked by a starlet; two Boca Juniors fans and love-hate for two River Plate fan girls; a man, father of 8 daughters, seeks the boy despite his wife.

Believing that he is about to die, a man sells his skeleton for science.

The story is based on the cadets of the Military College and their relationship with an older officer (1st Lieutenant) whom they see as a father.

An office worker must replace a twin brother who is a boxer.

The daughter of a fashion house owner falls in love with the designer of a competitor business.

Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.