Me casé con una estrella

A child suffering from leukemia craves getting on a plane, so at a U.S. base located in Zaragoza will make the kid a favor and grant his wish.

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.

Two girls without blood relationship but physically the same. One is shy and educated, the daughter of a good class marriage and the other is a very clever orphan but with terrible manners who lives in a kind of shelter.

Isaac Albéniz was a child prodigy, and the victim of a tyrannical father. He flees from his house, to America. He returns to his country years later, where he achieves international fame and the attention of many women.

With the help of a rich young woman, a singer who lives in the precarious housing area that existed in Puerto Nuevo comes to fame.

A school teacher tries to support his school against unjust measures by the government and a rich woman helps him.

For ambition a woman sacrifices her true love and marries a man of fortune.

Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.

On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.

A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.

Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.

Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.

A young woman working as a maid for a big time stage performer is mistaken for the star in Buenos Aires and becomes a great success in the land of the tango.

A young woman travels with her uncle to the city, there she works with a singer who she will have to replace. Later, she goes blind.

During a horse race, Ana, a happily married woman with a child, he met Captain Brown. Later, they meet again on a long train journey and inevitably love arises. Both try to forget each one on his own, however, things go more and more complicated, making it impossible to stop the situation.