Embargo

Rui is in the process of separation from Silvia, his wife and John, his son, realizing that his father can not get out of this situation and that he will never be happy, decides to ask for help from the mythical Bolivian hero "El Justiciero".

The making of of a making of. The Shooting of a feature. An unpaid intern. One theft. One making-of. The first movie... maybe the last.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

Three men try to be "masculine" again. A clerck, a Saints Salesman and a "house-husband" pack up and decide to travel... to a bar. This is a movie without words, where the communication happens through the eyes and of some violence too.

There are hundreds of sex workers to whom the protection of the law at a labour and civilian level is not recognised. For that reason, in a similar way to what happens in many countries, they demand the end of the discrimination, the change of the law and the social power that has been denied to them. This film is a journey into the underworld of sex workers and their struggle for labour rights.

Posfácio works at the factory of Madam Cannon and dates her daughter Claudete. Everything would be going great for Posfácio, if it wasn't for terrorist plans from his work buddies Marques and Mendes.

A photograph and a song from the Portuguese revolution, unite the three characters forever. This movie revisits them 30 years later and depicts what has become from the "revolution dream".

The documentary shows the academic movement and its several crisis by the players perspective and the way they contributed and involved themselves in the movement as students and Men. The main focus will be on the players and the academic leaders in this process during the 60’s.

The first short film directed by António Ferreira, featuring Adolfo Luxúria Canibal (lead singer of Mão Morta).

"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona

Armindo and Helena celebrate their wedding anniversary.

Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.

What stops two people from being together? A third one. What stops one person from fighting for another? Nothing. Pedro lives in the suburbs, where he works with his father in a garage. Everyday he takes the bus downtown where he goes to school and meets his friends. It's summertime and they all go down to the river where they spend their free time or even their school time. Among joints, motorbike riding and swimming, everything seems to go well with this group of friends, until the moment when Pedro and his best friend find out that both of them like the same girl. Pedro finds himself inside a downward spiral, where everything around him seems to fall apart. Like a magnet attracts the iron, Pedro seems to attract problems, from the school until his relationship with his parents. This is the story of Pedro, who by having his head being pushed down so much learned how to breathe under water.

What the ocean bringeth, the ocean taketh away

In Portugal he was a priest, in Brazil a revolutionary.