Caviar

Mukarrama is an old woman in one of the villages of Mazandaran who cannot read or write and suddenly turns to painting. In her memoirs and dreams, she depicts the relationship between a man and a woman, master and servant, man and God in a special style.

The first lady of a noble house has died and now there is conflict between the remainders for taking over her heritage.

The film looks at the children who live and work in the big city's suburbs.

Zinat, who experimentally provided health services to the villagers of Salakh on Qeshm Island, discovered the burqa to get well and wore a health uniform, and was one of the first women on the island to work outside the home. Zinat is the only native of the island who ran for the ten-seat council in the first city and village elections (March 1998). A special day deals with the events and discussions related to Zinat's candidacy on election day as a woman.

An ethnographic documentary about the forgotten part of Iran.

Human tales are reluctant to reach the point because when it comes to it, it's no longer worth it. So he changes the path of life to achieve the dream that he always sought to fulfill, but ...

The second part of a two-part documentary. Mokarrameh's home overflows with vivid paintings, giving insight into the lives of Iranian women. Mokarrameh, a widow in a rural Iran, once owned a beloved cow. She had to seek grass on a long and tiring walk to feed the animal. One day her children sold the beast without telling her. Overcome by sorrow, she began to paint. Mokarrameh made her first painting (a portrait of the cow) with mud and cow dung on a rock as a means to find consolation for its death. She painted on the walls of her house, on pumpkins, on whatever surfaces she could find until one of her sons, on his monthly visit from Tehran, brought her paper and paint. From that day Mokarrameh has painted tirelessly. Now her home overflows with her colorful work, in which local life, legends and memories are vividly depicted.

A documentary by Hassan Bani Hashemi about Bandar Abbas and the Persian Gulf in the 1350s (1970s). A calm and observational film that captures the coastal life, natural landscapes, and local culture of southern Iran.

The situation for renters has become critical due to stagnant income and rising rents. The film reports on the consequences of strictly enforcing landlord-tenant laws during a crisis.

A Khorasani saffron grower struggles to fertilize the saffron plant with dehydration and the risk of losing the dull flowers of the saffron in order to obtain the flower stigma or saffron root.