The Cuckoo

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Beautiful young widow Tara returns to her village with her two children from the country. On her way home, she learns that her grandfather has died, and distributes his belongings among her neighbours. But there remains an old sword that no one will accept. One day, on the road, Tara meets an ancient warrior, who claims that his clan have sent him to take the old sword back.

Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

Hossein the fabric seller, before dying, bequeaths to Mr. Kamal, a pious and ascetic man, to accept the guardianship of his daughter Golrokh. Mr. Kamal takes the girl to his home. Gradually, both Mr. Kamal and his young son become fond of Golrokh.

There is an old chant from old times between Azerbaijani tribes that tells the story of a girl named Saray. Saray was a beautiful girl from Moghan and was in love with the head of the shepherds of the tribe, Aydin. Just a few days after the engagement of Saray and Aydin, Soltan Beig (leader of tribe) took advantage of Aydin's absence to seize and force Saray to marry him.

In Tehran 1916 during first world war a group of patriots make a punishment committee to punish the traitors. With the lead of Abolfatooh Mirza, Reza Tofangchi begins the assassinations.

Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection due to deep regrets regarding the child whom she has abandoned.

The Mongol invasion of Iran leaves the country devastated but the people fight for their right in their own way.

The movie is about a genius young man named Hormoz (Babak Hamidian) who has been asked to come to the front line by a man from Basij for intelligence purposes. During a part of the project, the man is captured and a young Kurd woman (Tanaz Tabatabayi) saves him. Love begins to grow between Hormoz and the girl but they have to part ways so that Hormoz can return to his side ...

The second feature film to be edited using footage from Hatami's miniseries Hezar Dastan.

Four years after breaking up, Mahmood meets Yasaman on the day of her father's funeral, just after the latter has returned back from abroad. Mahmood has met Mina a year after his and ...