Madame

Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it. Born into a family that supports the nationalist Kuomintang, Zhang eventually became a leftist and joined the Communist Party. But his family’s background eventually catches up with him, and in a series of bureaucratic measures, he is labelled as a Rightist, leading to a slew of irrational yet life-affecting consequences. His story is told through an exhilarating hybrid of forms, blending documentary-styled interviews and spectral theatrical displays within an ever-mutating studio-space. Hypnagogic in its imagery and ironic in attitude, Mr. Zhang Believes is a tour-de-force treatise of a man caught within dogmatic political maneuverings, which it critiques indirectly with creative and stoic fervour.

The mother is in her eightieth, the son is in his sixtieth, they talking about their past.

An essential background for Qiu Jiongjiong’s recent A New Old Play, this dazzlingly playful short documentary remixes a Sichuan opera company’s dress rehearsal for its tribute to Qiu Fuxin, the director’s grandfather – who was a legendary opera performer of 'clown' comedic roles, and the real-life subject of A New Old Play. This exuberant celebration of a not-yet-lost past re-activates the memories of ageing, but irrepressibly vital, stage artists.

On a 1980s evening, the topmost clown-actor of the 20th century Sichuan opera, Qiu Fu passes away in an accident and half-unwillingly sets off for the Ghost City under the escort of two underworld officials. Along the way, he meets old friends. As they recall the past, a history of the living is conjured up.

In a confined section of a psychiatric ward in Northeast China, patients of schizophrenia, mania, depression, compulsive sexual behaviour and alcohol addition receive the mandatory treatment. As soon as their heads are cleared, they try to break free but always fail. Under the control of drugs and unquestionable discipline, they begin to reflect on their souls, will, desire and thoughts.

First film by director Qiu Jiongjiong -- about a restauranteur, his patrons, and the culture of art, poetry, and performance that surrounds them.

Part of Qiu Jiongjiong’s 'chatterbox' oral history trilogy, this short documentary focuses on current storyteller and ex-cop Huang Songnian. Qiu playfully splices montage cuts between Huang’s wildly entertaining, sometimes very dark stories of intrepid forensic police work (including a super queasy tale of maggots and a body, and another of rural cannibalism), and disruptive yet oddly suitable Sichuan opera excerpts, pigeon portraits, and Qiu’s charming chalk drawings.

On a seesaw, Sun and Moon rise and fall, witnessing four feasts and festivities spanning four millennia, where the living and the dead, gods and ghosts unite in a simple, shared joy.

The film recounts a 30-year chapter of China’s mid-20th-century history through the story of Mr. ZHANG Xianchi and the interacting forms of theatrical fiction and documentary autobiography. Born into a Nationalist (KMT) family in the 1930s, ZHANG was a progressive young "leftist" and Communist Party supporter, then, after the founding of the New China in 1949, was dubbed a counter-revolutionary "rightist"––a public enemy–and jailed in 1957 for 23 years.