New Media

In 1970, a group of young Puerto Rican activists took over a decrepit hospital in New York City, launching a battle for their lives, their community, and healthcare for all.

By custom, thousands of artisans in Mexico still use lead based glazes in their pottery without knowing the damage that this toxic element causes to their health. Herlinda, an indigenous Purepecha potter, is one of the few artisans in her community who uses alternative lead-free glazes. Having achieved safer and healthier living conditions for her family, she faces the difficult task of finding a market for her impressive pieces. But this does not dull her dreams of having her shop thrive and her brothers return from the United States to rejoin the family tradition.

In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.

Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action. In the mid-1990s, they began gathering outside of accused perpetrators’ homes and workplaces to publicly shame them and raise awareness about the government’s systematic and brutal targeting of its people — and how it had gone unpunished. The human rights group HIJOS (Sons and Daughters for Identity and Justice Against Forgetfulness and Silence) led and labeled this direct-action style of protest “escrache,” or exposure.