The Complete Works of William Shakespeare (Abridged)

The top stars from the original London and Broadway productions join together with a 150-voice chorus and the Royal Philharmonic Orchestra in London's venerated Royal Albert Hall for a truly magical gala performance of Les Misérables. You'll watch and listen time and again to the magnificent Tony Award-winning score as sung by stars forever linked to these roles.

The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.

'Hey, Mr Producer!' features selected scenes from the productions of the world's most successful musical producer, Cameron Mackintosh - classic songs from classic musicals performed by the ultimate cast.

Nikiya, a temple dancer, is in love with the warrior Solor. The High Brahmin also desires Nikiya, and when she rejects him, he plans to take revenge on Solor. When the High Brahmin tells the Rajah about Solor’s secret love, the Rajah decides that Nikiya, not Solor, should be killed. Princess Gamzatti is to be married to Solor. She overhears and tries to bribe Nikiya to give up Solor, but Nikiya refuses. The Rajah and Gamzatti arrange for Nikiya to be killed by a snake bite during the engagement festivities. Despondent, Solor is filled with remorse and haunted by visions of Nikiya. He cannot complete the wedding ceremony. The gods are angered and destroy the temple with all inside it. In the afterlife, Solor and Nikiya are finally united.

Audra McDonald, Tony Award-winner for Carousel, Master Class, and Ragtime, appears live in concert from the Donmar Warehouse in London. In a program that blends the old and the new, McDonald presents ballads by Gershwin, Arlen, and Kern, along with songs by the next generation of music theatre composers. Her performance demonstrates why The New York Times has declared, "She has the vocal power and charisma to make you believe in a better musical future."