The Shape of Things

The Shape of Things

1981 · 8 min

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014.

Directed by Mike Henderson

Your Rating

More from Mike HendersonSee all →

Deep WesturnDeep Westurn · 1974
Deep Westurn
1974
Movie
A ‘film wake’. Though celebratory in mood, it has a mournful subtext… death and dying. We dedicated it to Dr. Sam West, departed friend and patron of the arts, trusting that his ghost would approve our hi-jinx and seeming irreverence. Preserved by the Academy Film Archive in 2002.
Down HearDown Hear · 1972
Down Hear
1972
Movie
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
MoneyMoney · 1970
Money
1970
Movie
Experimental short 16mm film directed by Mike Henderson. Preserved by the Academy Film Archive in 2010.
DufusDufus · 1970
Dufus
1970
Movie
A motley cast of characters offer their thoughts on what’s most important in life. Experimental short film preserved by the Academy Film Archive in 2011.
The Last SupperThe Last Supper · 1970
The Last Supper
1970
Movie
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Pitchfork and the DevilPitchfork and the Devil · 1979
Pitchfork and the Devil
1979
Movie
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.

More Like This

Couldn't load this row right now.

Rate this film

Your ratings make Midnight smarter