The Treehouse

Federico and his brother Simon live their teenage years to the fullest, until the day Simon dies by falling from a balcony at a party. While his family falls to pieces before his eyes, Federico tries to live a normal life during his final weeks of school. Unable to mourn, he starts to grow closer to Laura, his dead brother’s girlfriend and seems to find comfort in her.

It's the beginning of spring. Federico travels for 20 days from Bogota, Colombia, to Buenos Aires, Argentine. In Buenos Aires he meets a couple of friends that introduce him to Florencia, a girl that makes him doubt his return.

In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.

Two young Colombians, Luna y Juan, live in the suburbs of a Buenos Aires without Argentines. Their relationship oscillates between tender gestures and violent explosions. Everything between them gradually gets more intense: their games, fights, recklessness and even their monotony. But something changes when Federica shows up that sets into crisis the fragile nature of their relationship, unveiling the decadence they have gotten themselves into.

Cristina and Simon are two young graffiti artists who paint the city that they live in. Their restless spirit leads them to defy a criminal gang when they decide to paint the mural of a whale over a threat written in a wall. The love that unites them, their friendship with other artists at La selva- an old house they use as a refuge- and familiar tensions, come together to tell a story where the powerful strength of youth faces fear, violence and the difficulties of growing up.

While her father has just been publicly accused of bribery, Mélanie goes partying on a week-end with some friends, in the luxurious house of her parents. A moment, out of time and away from reality. A race to excess, where nothing is prohibited.

The film depicts the life of Cristina, a young middle-class mother financially supported by an emotionally absent mother. She is haunted by her previous relationship with Walter, the father of Darwin, her son. Habit, comfort and suppression make her numb and loveless. Her fleeting romantic adventures with other men are not enough to push her away from this uncertain equilibrium. The only thing that seems to make sense in her life is little Darwin, who shines a light in her life.

Marco is 18 years old. While his mother insists on having him admitted to a rehab clinic, he is convinced that he only needs one last chance to turn his life around.