Portraits: Première Série

Thanks for Coming

The final episode of Alain Cavalier’s video diary. “Le Filmeur” traces his life since “Pater”: the approach of death and the beauty of life —both human and animal— intertwine with the filmmaker’s doubts and contradictions as he encounters others.

Six portraits XL : 1 Léon et Guillaume

Léon : This morning, Léon the shoe-repairer puts up a sign in his store that he's managed for forty-six years : "Closing down in two months." Panic sets in among the neighborhood inhabitants, who adore this big-hearted Armenian with an amazing face. Is there some way to make stay longer ? Guillaume : Four o'clock in the morning, Guillaume arrives at work first, ahead of his team. At the end of the day, he will have sold all his cakes and bread, that's how good they are. In the evening, he and his wife Jasmine dream of buying a bigger and better located pastry store.

Elevator to the Gallows

A self-assured businessman murders his employer, husband of his mistress, which unintentionally provokes an ill-fated chain of events.

Libera me

"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)

A Matter of Resistance

In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.

L'Amitié

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

René

René, a children's theater performer, has a problem : he is a hearty eater and he weighs no less than 155 kilos. After being abandoned by his girlfriend, René decides to go on a diet, notably to reconquer her. It is also an opportunity for him to question his former lifestyle and to define new values...

Un étrange voyage

A man walks a length of railroad track, looking for his elderly mother whom he believes fell from the train at some point. He brings his daughter along.

Le Filmeur

From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself...

The Lovers

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions, leading her further towards Paris and the country wilderness.

Fill 'er Up with Super

When a young auto salesman is forced to give up a vacation with his wife in order to drive a big American car to its new owner who lives on the Riviera, he makes the best of things. First, he gets and old friend to ride along with him. Then, the two of them are joined by another pair of men who want to ride south.

Irene

In a film as moving as a confession, the filmmaker portrays a veritable journey into the valley of the shadows to find Irène, his Eurydice.

Heartbeat

The mistress of a wealthy man misses material comforts when she leaves him for a younger lover.

The Encounter

A filmmaker meets a woman. Delicately, he starts videoing moments of their life together. He slowly realises he’s not storing memories, but making a film. He asks her permission to continue. After filming for a year, a 75-minute edit is ready…

Martin and Lea

A loving couple Martin and Lea have some problems with each other too.

Paradise

"Since childhood, I've had the good fortune of going through two mini depressions of happiness, and I'm serenely awaiting the third. This alone is enough for me to believe in a certain beauty to life and to have the pleasure of attempting to film it in all its forms (trees, animals, gods, humans...) and to do so when love is intense. The filmmaker has lost a part of innocence. It's so difficult to spot it around you, so difficult not to lose it during a film shoot. I'm grateful to those who you look at on screen. To stand up to time, I've a tactic, which is to dig into my stock of emotions and old images. Not so as to find what will never come back, but to discover the signs of spring in winter. This allows me to begin another day with an easy, light step." (Alain Cavalier)