The Fugitive Kind

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

100 Centre Street is an American legal drama created by Sidney Lumet and starring Alan Arkin, Val Avery, Bobby Cannavale, Joel de la Fuente and Paula Devicq.

This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring.

Kraft Television Theater is an American, well-received anthology series presenting live television dramas.

When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.

Playhouse 90 is an American television anthology series that was telecast on CBS from 1956 to 1960 for a total of 133 episodes. It originated from CBS Television City in Los Angeles, California. Since live anthology drama series of the mid-1950s were usually hour-long shows, the title highlighted the network's intention to present something unusual, a weekly series of hour-and-a-half dramas rather than 60-minute plays. Playhouse 90 began as a pitch by Frank Stanton—the formidable, forward-thinking right-hand man to CBS chairman William S. Paley—during a brainstorming session for program ideas. The project was ultimately developed by Hubbell Robinson, a CBS vice president who received no screen credit on Playhouse 90 but is often described as its creator.

Frontier is an American Western anthology series that aired on NBC from September 1955, to September 1956. The series de-emphasizes gunplay and focuses on the hazards of the settlement of the American West. It was only the second anthology Western series in television history, having been preceded by Death Valley Days. Frontier aired premiered on September 25, 1955, and ran sporadically in its last five months. Walter Coy narrated the series and starred in occasional episodes, which are dramatizations based on actual events. The program was produced by Worthington Miner.

Frank Galvin is a down-on-his-luck lawyer and reduced to drinking and ambulance chasing, when a former associate reminds him of his obligations in a medical malpractice suit by serving it to Galvin on a silver platter—all parties are willing to settle out of court. Blundering his way through the preliminaries, Galvin suddenly realizes that the case should actually go to court—to punish the guilty, to get a decent settlement for his clients... and to restore his standing as a lawyer.

The Popes are a family who haven't been able to use their real identity for years. In the late sixties, the parents set a weapons lab afire in an effort to hinder the government's Vietnam war campaign. Ever since then, the Popes have been on the run with the authorities never far behind. Their survival is threatened when their eldest son falls in love with a girl, and announces his wish to live his life on his own terms.

DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.

In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.