Take Off

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

Through five portraits of relatives and mentors, five expressions of resistance, Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution.

The arrival of a German tracking dog at the customs pier, which is by no means negotiable, has disrupted the order of the city. Major tells the story of a man in Bushehr who feels responsible for his son for the first time in several years.

One of the stories of the film is that when the Pope was elected in the Vatican, if he was Nigerian and black, a particular incident would have happened in our film. This film tells the story of the black life that had been forced many years ago to "emigrate" from their homeland, They have moved away from poverty and humiliation, illness and death, poverty and helplessness Not to be slave and disillusioned, and their rights are in line with the White. The film's story revolves around the members of a family and their problems.

'Renjerou' lives in areas around the nuclear plant, "Oleg" The Russian guy is a friend. The world is undergoing and the friendship of the two-stage separate events..