The Way Station

Two parallel stories about young ambitious teenage girls and middle-aged women who have experienced life's sweet spiciness. A remake of the Korean movie 'Sunny' (2011).

While scrambling to provide for his ill daughter, a taxi driver becomes embroiled in a major charity scam.

In an abandoned amusement park, a shoestring budget horror film is rolling. The crew features a "washed‐up yet unwavering" director, a leading couple whose onscreen romance has bled into real life, and a hot‐tempered makeup artist. The true nightmare begins when the director performs a "Blood Moon Ritual" meant to force genuine terror from his actors, no acting, only real fear and real tears.

Four childhood friends and their wives at an upscale dinner party. After a much-heated discussion about how smartphones influence their personal lives, the group proposes a late-night game: everyone is to place their mobiles on the table; whoever gets a text, notification or call must share it with the group. It is a recipe for disaster.

Văn comes back to Ho Chi Minh City from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson.

Mrs. Dai, a 70-year old grandmother, suddenly finds that she has been transformed into her 20-year old self. Her old fashioned sense of style and manners cause some trouble, but falling in love could be the biggest problem of them all.

Hanh is a dutiful wife and school teacher in a rural Vietnamese village who appears to enjoy a happy marriage. Childless, she insists her husband Phoung, the local school headmaster, take a second wife to bear him a baby. But in the small village, their secret is impossible to keep for long.

When a young art seller is surprisingly reconciled with her long-lost best friend, both are drawn into a series of frightening supernatural events at a mysterious mansion, where an infamous spirit trapped in a painting is lurking to unleash its century-old curse once again.

Three teachers run together an elementary school for local Hmong children in a remote mountain village. One day, an incident turns their life upside down, revealing the secrets and feelings they have been hiding for a long time.

A Korean writer travels to Vietnam to do research for her story about a cursed portrait of a Vietnamese girl named Muoi.

As French colonial rule reaches a violent end in Vietnam, a 12 year old boy makes a treacherous journey in search of his estranged father.

When the father of five grown children suddenly returns and dies. The strange funeral reveals the conflicts, instability, and tragedy of the Do family, including five children: Ngoc, Nga, Chau, Bau, and Du.

Thu lives in a village near the river with Lan, her single mother working as a fruit seller. Thu befriends a boy in the village, Đăng, who lost his mother at a young age and is thus mainly raised by his grandparents. As the two children bond, they find in each other the parental figures they have been longing for.

Set against the riverine landscape of Vietnam’s Mekong Delta, Ai Thương Ai Mến centers on Hai Mến—a woman who loses both parents and is left to shoulder her family’s burdens alone amid debt and relentless personal tragedies. Along her arduous journey, she encounters Khả (Ngọc Thuận), a carefree, pleasure-seeking young heir who unexpectedly falls deeply in love with her, giving rise to a romance that is at once tender and heartbreaking. In parallel, the pure and gentle love story of the young couple Chờ and Thương emerges as a rare ray of light, before all three narrative threads are ultimately drawn into trials that deeply move the audience.