Yeti

Yeti

2017 · 8 min

Polish artist Wojciech Bakowski abandons his refined pencil drawings for a mixture of lo-fi video and computer animation. Images of phones, loafers, and surveillance devices hover and float, yet despite the means of circulation and communication, the artist's body remains near-immobile.

Directed by Wojciech Bąkowski · Written by Wojciech Bąkowski

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More from Wojciech BąkowskiSee all →

Spoken Movie SixSpoken Movie Six · 2011
Spoken Movie Six
10.02011
MovieAnimation
Spoken Film 6 is the latest part of the series, and the first one where the artist uses a puppet animation technique combined with photo animation. Also, it is the first time when the artist’s face is featured in the film, in the foreground, as if confirming the fact that all the films in the series actually contribute to a specific self-portrait. This black and white film is a story of a journey of the character, whose monologue describes the inability to contact his own mental states, fears and desires.
Spoken Movie 1Spoken Movie 1 · 2007
Spoken Movie 1
6.02007
MovieAnimation
Animation short by Wojciech Bakowski
Bark You Mongrel, Raise Hell My PearlBark You Mongrel, Raise Hell My Pearl · 2006
Bark You Mongrel, Raise Hell My Pearl
5.02006
MovieAnimation
Experimental animation short from Poland.
A Heart of LoveA Heart of Love · 2017
A Heart of Love
4.42017
MovieDrama
A fictionalised portrait of Polish artists W. Bąkowski and Z. Bartoszek.
YearYear · 2017
Year
2017
MovieDocumentary
Bakowski’s strangely personal, nostalgia-laced video combines the Polish animator’s love of everyday domestic objects and geometric aesthetics with a flickering synth score out of an eighties urban crime film.
Spoken Movie 5Spoken Movie 5 · 2010
Spoken Movie 5
2010
MovieAnimation
At the level of text, Bąkowski's Spoken Film 5 relies on strikingly personal and direct lyricism targeted directly at the viewer. The film is a minimalist, monochrome, hand-drawn animation. Contrary to the previous Spoken Films, it does not lend itself to easy division into parts, which are all merged here by repetitive elements of image and text (such as the vertical lines in the first scene, which later start rotating like the hands of a clock, referred to in the text of the second scene, which finally unfolds into the image of a digital clock). The music for Spoken Film was written by Dawid Szczęsny, experimental musician and turntabler, who works with Bąkowski in a duo called Niwea.

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