Charlie Says

An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.

The daily lives of prisoners in Emerald City, an experimental unit of the Oswald Maximum Security Prison where ingroups - Muslims, Latinos, Italians, Aryans - stick close to their mutual friends and terrorize their mutual enemies.

Russian exchange student Alya struggles to fit into what it means to be an American teenage girl in 1994 when she realizes her host father has a crush on her.

A group of lesbian friends struggle with romance and careers in Los Angeles.

A man struggling with his faith is haunted by the sins of his past but is suddenly thrust into the role of defending humanity from the gathering forces of darkness.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

In Southern California, a beachfront property was seized and turned into a residence for undercover cops. They are all top agents of the DEA, FBI, and Customs and they are living in this house unofficially known as "Graceland". Coming of a new graduating at the top of his class, FBI rookie, Mike Warren, could make the life of a legendary FBI agent Paul Briggs and the others, more complicated or it could reveal the truth. It is based upon actual events.

Based on the true story of Grace Marks, a housemaid and immigrant from Ireland who was imprisoned in 1843, perhaps wrongly, for the murder of her employer Thomas Kinnear. Grace claims to have no memory of the murder yet the facts are irrefutable. A decade after, Dr. Simon Jordan tries to help Grace recall her past.

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

The story of Bill Henrickson and his life in suburban Salt Lake City, balancing the needs of his three wives -- Barb, Nicki and Margene-- their seven kids, three new houses and the opening of his newest hardware store. When disturbing news arrives about Bill's father, he is forced to reconnect with his polygamist parents who live on a fundamentalist compound in rural Utah.

Follow the dark journey of a young woman down on her luck and pregnant under mysterious circumstances. She must deal with the increasingly disturbing effects of her pregnancy and the potential conspiracy surrounding it.

Notorious serial killer Joe Carroll, after being found guilty of murdering 14 female students on the Virginia college campus where he taught literature, escapes from death row. The FBI calls former agent Ryan Hardy to consult on the case, as he was the one responsible for Carroll’s capture in 2003. Ryan, working closely with an FBI team, including Mike Weston and FBI Specialist Debra Parker, piece together the ever-growing web of murders orchestrated by the devious Carroll.

A horror/suspense anthology series directed by the biggest horror directors working in feature films.

Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie's legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

The story of Valerie Solanas, a '60s radical who preached misandry in her "SCUM" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he repeatedly ignored her. So she shot him.