The Family

In "Stealing the land", parents fight not only for a better future for their children, but also for their own egos. When a schoolyard game sparks a political debate in the kitchen, an evening of absurd conflicts, low blows and unexpected confrontations begins. The film unrestrainedly provokes, entertains and exposes the grotesqueness of a society where the lines between play, education and the real world become dangerously blurred and the rules increasingly confusing - for children and adults alike.

Nina is pregnant with Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?

In the remote highlands of Montenegro, a shepherd mother and daughter proudly defend their ancestral mountain from the threat of becoming a NATO military training ground, stirring memories of the violence that shattered their family.

A baby has died. Orlo's parents are consumed with grief. In an attempt to make them happy and his family whole again, Orlo does something unexpected.

Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.

In Prague, two 16-year-old girls, the exuberant Dáša and the reserved Klára, have to deal with the toxic masculinity of two boys their age, Robert and Pavel.

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

At night a city bus driver finds an abandoned baby near a stop. A divorced man comes to pick up his excited son for the weekend. A pretty doctor befriends a quadriplegic. Out of this unfolds a delicate story of human relationships, in which tough feelings of sympathy and guilt the protagonists are confronted with different ways of looking at events.

An ageing proprietor of a technology company has dedicated his whole life to his work, so it comes as a big blow when things suddenly start to fall apart at the seams.

Two best friends spend an afternoon on a football field, dreaming of making it to the local football team. But dreams come with a price.

After her mother's sudden death, ten-year-old Moja becomes the unexpected grown-up of her fragmented family, trying to bring her troubled older sister Vesna and distant father together.

On 1 October 2017, during the Catalan independence referendum, Marta Torrecillas was violently dragged from a polling station by police. Her image and voice message went viral within hours, turning her into an international symbol of state violence. Days later, when medical reports contradicted her initial belief that her fingers were broken, she became the target of a brutal media backlash. Harassed, threatened and diagnosed with PTSD, Marta fights to reclaim her name and dignity. An intimate reflection on sisterhood, care and healing in the aftermath of public violence. Refusing to let a viral image define her, Marta’s story becomes a moving exploration of resilience, solidarity and the urgent need for truth and accountability in the digital age.

Two filmmakers follow a businessman turned eco-activist as he exposes Romania's timber mafia. Their journey takes a dramatic turn when, in the middle of a forest, the three are attacked by a group of 12 angry men. The cameras are destroyed, and all footage is lost. Faced with this harsh reality, each of them tries to manage the situation as best they can, confronting their own doubts and limitations.

Two sons wait for their father on the day he is released from prison. They go duck hunting together, like they did before he was locked up.

In a series of short portraits the documentary tries to establish a dialog with the Christian painting The Broad and The Narrow Way, to illustrate some of the spiritual and existential challenges of the South African community of Sutherland.