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After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

Bumpy are the pot-holed roads of Bulgaria’s capital Sofia. Doctor Krassi, nurse Mila and driver Plamen fly over them daily at break-neck speed. Together the three form one of 13 ambulance teams providing assistance to over two million people. They zoom around the city on double shifts from one emergency to the next. Ilian Metev’s camera is not aimed at those in need of help – their dignity remains preserved. He focuses instead upon the rescue team Krassi, Mila and Plamen and their wild rides across the city on a never-ending battle with time – a feat almost impossible without humour. The ambulance team fight against a ramshackle health system with passion, selflessness and sometimes near resignation. Ilian Metlev accompanied the trio for more than two years to find images that make poetry of the human figure and this depiction of reality.

This is a tale about the death of Goleshovo, a forgotten town in the mountains of Bulgaria. Here, a handful of old people struggle for survival: A couple fights with their donkey. A forgetful priest leads his congregation into confusion. A woman cheers up her friends with songs. Will their children ever return? Composed with rigorous attention to form, this observational documentary is an austere yet ultimately rewarding portrait of hope.

A provincial hospital in Bulgaria, Covid ward. This observational documentary draws our attention to the country’s antiquated healthcare system and reminds us of our attitudes at the time when faced with an unknown threat. A skilfully constructed survey of the bleak goings-on in an underfunded facility where, even when looking death in the face, people still manage to find their sense of humour.