Babes' Not Alone

Ziyuan's family has a tradition of celebrating Christmas joyously, but everything changes when his parents divorce. They move to a new home; everyday objects go missing, there’s a dog on his route to school, and the saddest part is that it seemed like his parents no longer love each other! Ziyuan finds it hard to accept and decides to recreate the "Christmas Eve Secret Room Miracle" to evoke the beautiful memories of previous years...

There are many things that a woman's hands can do but wiping tears off is not one of them. This is Meng Meng Betel Nut Stand run by three women, which offers comfort to the residents in this small seaside town.

Martial law was lifted in Taiwan in 1987. Since then, all kinds of reform and democratization were raised. However, in May 1991, four young people were arrested by the Bureau of Investigation (MJIB). This had generated the fear in society and led to the so-called “White Terror.”

The expressions of democratization are usually interpreted by elites from two different parties but neglect the real faces/ life of every individual among the resistance rally. The director (a confused twenty-something) looks back upon the 40-year-history of democratization of Taiwan through the life experiences of two old-timers (who are grass-root rebels). He attempts to discover what causes their actions and decisions to be lefties, and what are their limitations.

The film documents boxer Jia-Ling Chen participating in a world-class boxing competition. With her bare hands, this young woman of twenty-something exemplifies young people's relentless efforts to go after their dreams.

Ching-Chun, Nguyễn and Mei are both international students from Vietnam to Taiwan; however the reality is so different from what was anticipated. There seems to be no differentiation between international students and migrant helpers. Determined to have a different path, Ching-Chun, Nguyễn tries to transfer schools in hopes of a better opportunity and future; nonetheless, all in vain.

A middle-aged man about to be divorced stops by home to pick up his golf bag. He leaves with the key. A typhoon arrives and blows torrential rain through the windows he has left open.

A property assistant, an intern, a broke greengrocer and casino keeper, a gun in the black suitcase and a celebrity goat all take part in a play within a play. There's a lot going in at the inn. Not only a film crew checked in, somebody also wants to settle a score.

At 20, Ling balances boxing and helping with her mother's lunchbox business, all while her family quietly unravels. Her parents fake harmony, but when her father brings home a new "girlfriend," the illusion is shattered. Refusing to look away, Ling endures the blows - bloodied and tear-streaked. In facing reality head-on, she discovers a deeper truth: only with honesty in her heart do her punches carry real weight.

In 1970, American futurist Alvin Toffler's iconic work Future Shock was published. One year later, a translation by Zhiwen Publishing House hit the market in Taiwan, thus introducing the writer's theories to readers of Chinese. The premise of the book can be summed up as: “A future that comes too quickly creates more apprehension than that of a foreign land. Future society will be stricken with a plethora of choices, throw-away society, information overload, and unethical technology.”

A-Jun, who lives by himself, is gradually slipping away from normal growth development. During this period of his life, there’s many perplexities around his world. Isn’t it just one way off going down the stream to Jia Jiu Liao and set him free?

The life of seventeen-year-old Xuan is anything but ordinary: She lives and works with her mother and sister in a recycling center surrounded by things others have thrown away. One day, at the suggestion of a boy she likes, she tries to escape into the life of a normal teenage girl.

As Yong-Ning’s drag persona Valerie begins to shine in Taiwan’s underground Ballroom scene, his budding romance with Wei-En falters. Shaken by a moment of rejection, the two must decide if love can survive the weight of identity.