The Criminals

Rolando Colla made his directorial debut with this Swiss-French-Italian period drama about a Breton woman who disguises herself as a man to join a ship's crew during the 18th century. Rebellious 24-year-old Anne Bruneau is abandoned at the altar by her fiancé Yann. Unaware that Yann was drunk and fell down a well, Anne reacts to his absence by cutting her hair, dressing like a man, and signing on with a ship captained by a dwarf. When Yann learns what happened, he begins running south to Marseilles to rejoin her. Aboard the ship, Anne's disguise is discovered by the captain and the ship's doctor. With an Arab, she jumps ship, hiding with hookers in Marseilles while still maintaining her disguise.

The story he has been told by his grandfather was about people's dream to go out of their small town to Russia. For them, the greatest pleasure on the earth was taking a prostitute.

The life of a pig revisited in terms of legend.

Dedicated to Pasolini's death and his commemoration in the years following his passing.

An inside look at Italy's modern-day crime families, the Camorra in Naples and Caserta. Based on a book by Roberto Saviano. Power, money and blood: these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice and are forced to obey the rules of the Camorra. Only a lucky few can even think of leading a normal life.

Where Disney's version marginalized the darker elements of the novel, Gianluigi Toccafondo's adaptation brings them to the center. It's a film he cursed over and which took him three years to complete.

At the heart of the sea bed, between rocks and corals, primitive algae undulate, lulled by the muffled and roaring sound of the currents. Up there, on the surface of the water, something extraordinary has just appeared: a voice. So soft and seductive that it is unlike anything we have ever heard before.

Two petty and foolish thugs extort a poor farmer and his wife in the countryside near Rimini. But the farmers, tired of always being the victims, decide to take revenge and devise a diabolical plan that will land the bandits in prison for murder.

Carmen comes from a difficult past: taken away from her mother during adolescence, she grew up in a foster home. Massimo is an only child, raised in a wealthy and oppressive family. Their only daughter, Giada, 5 years old, was entrusted to the father. Carmen has the right to see her every other Saturday, but Carmen doesn't accept it: she doesn't want her child to grow up without a mother, like she did.

A few vibrations of a tango dance announce the performance of an uneasy love story.

A bride leaves her father’s home to reach her love.

A meaningful journey into the Italian cultural heritage throughout musical quotes from Giacomo Puccini’s Tosca, lithographies by Giovan Battista Piranesi and lines by Pier Paolo Pasolini. Dreamland will bring the audience to some of the most beautiful Italian UNESCO sites: Villa d’Este and Villa Adriana in Tivoli, the historic centre of Rome with the Roman Forum, the Colosseum, Piazza Navona, Castel Sant’Angelo and much more. Passing through the depths of the Tiber, it will arrive also in the most peripheral areas of the city to find out still so much beauty and so many stories about the contemporaneity in a visual and musical journey so evocative as to reveal the Italian cultural identity.

Underground Lovers is a story about love and obsession, with a dramatic end. Inspired by science fiction cinema and Japanese erotic culture, it has the structure of a real feature film condensed in just over 4 minutes. A man and a woman go through a night of excess until they lose control, among food, drugs, sex and the neon lights of Tokyo

Painted animation featuring scenes from a bordello.