James Bond Supports International Women's Day

A rebellious teenager, future Beatle John Lennon lives with his Aunt Mimi in working-class mid-1950s Liverpool, England. Mimi's husband suddenly dies, and John spies his mother Julia at the funeral. Despite Mimi's misgivings, John intends to have a real relationship with his mother. Julia introduces him to popular music and the banjo and, though a family conflict looms, young John is inspired to form his own band.

A diverse band of Nazi Hunters living in 1977 New York City discover that hundreds of high ranking Nazi officials are living among us and conspiring to create a Fourth Reich in the U.S. The eclectic team of Hunters set out on a bloody quest to bring the Nazis to justice and thwart their new genocidal plans.

Anthology series telling character-driven stories set at different moments in time, aiming to showcase that during people's most isolated moments, and in disparate circumstances, the human experience connects everyone.

The extraordinary story of Amy Winehouse’s early rise to fame from her early days in Camden through the making of her groundbreaking album, Back to Black that catapulted Winehouse to global fame. Told through Amy’s eyes and inspired by her deeply personal lyrics, the film explores and embraces the many layers of the iconic artist and the tumultuous love story at the center of one of the most legendary albums of all time.

The journey of Jean Holloway – a therapist who begins to develop dangerous and intimate relationships with the people in her patients' lives.

A young drug-addled writer approaching the bottom of his descent submits to two months of agonizing detox at a treatment center in Minnesota.

2001 Sam Taylor video art piece featuring rotting fruit in time lapse

When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair -- and learns that Christian's true sexual proclivities push the boundaries of pain and pleasure.

Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.

A compilation of erotic films intended to illuminate the points where art meets sexuality.

Reminiscent of Warhol, Breach depicts a girl in ever-heightening grief, but with the sound of her tears removed. The person inflicting her agony is also unheard and unseen, but has a tangible presence in the film. As emotion is taken out of context, the viewer is almost placed in the position of the aggressor. The tangible melts into the intangible and the other way around.

Death Valley is recognised as the lowest point in the Western Hemisphere and one of the hottst places on earth. The rocks tell a story of endless changes in the earth’s crust - vast depositions, contortions, alternate risings and lowerings, faultings, intense heats and pressures. It is here director Sam Taylor-Wood and cinematographer Seamus McGarvey chose to frame the ‘Death Valley’. The story of a man exploring the experience of self-stimulation, pleasuring, the erotic satisfaction and possibilities with oneself.

As Harold Pinter famously said, Taylor-Johnson is 'the weasel under the cocktail cabinet' at this particular party. The erotic undercurrents between the various people at the party are given further resonance with the use of multiple screens to portray them. Marianne Faithfull is given a starring role, and the viewer is the 'third party' of the title. 16mm film. Seven-screen projection.

As four people lip-synch to the grand, passionate sounds of the Richard Strauss opera Elektra, the contrast between the banality of modern life and the primal desires that swirl beneath the surface is heightened. Four-screen projection. Video.

2002 Sam Taylor-Wood short video art piece featuring a man playing an imaginary string instrument.

A 10 minute film that depicts a man and a woman having an argument. This domestic drama is enacted simultaneously on two separate projected screens—the man’s space is described by a chair standing against a blank wall, the woman’s by a fridge and a fragment of kitchen sideboard. Each participant is isolated within his and her own screen, the borders from one to the other being crossed by thrown objects such as a glass of milk or a frying pan and, occasionally, by one of the participants, who, unable to contain their rage, launches an attack across the divide. A soundtrack of tuning into a series of different radio stations accompanies the film, seeming to articulate the switching emotional tenor of the scenario as it moves through confusion, anger, sadness and resignation.