London Symphony

What if women ruled the world? Yael Bartana stages the question in practice in her performative ‘Two Minutes to Midnight’, where a female government in a fictitious country must take a stand on an imminent nuclear threat from a foreign nation, led by the self-absorbed president Twittler. A panel of fictional characters and real female experts from areas such as defence, law, politics and psychology are tasked with agreeing on how to approach the situation in Bartana’s role play, which takes place in a democratic ‘Peace Room’, mirroring the toxically masculine ‘War Room’ in Stanley Kubrick’s classic Cold War satire, ‘Dr. Strangelove’. In the meantime, the clock is ticking, but when the red phone rings you can almost hear your own heartbeat.

Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

Pete, Tom, Claire and Jay are university graduates having trouble making the move into adult life. Beneath the hanging out and the daily routines simmers Pete's desire to find a spiritual answer to life's meaning, Jay's desperate need not to get hurt again, and Tom and Claire's ever increasing mutual attraction.

Lost in a sea of boring suits and dull dinner dates, Robert finds his evening threatened by his childhood friend Micky. A disgruntled pot washer, Micky is shocked to find Robert has ‘sold out’ his heritage to climb the greasy pole. Seeking revenge, he slips something untoward into the soup. Robert struggles to both keep his rich date, Heather, happy and not reveal that his new image is but an illusion.

Two men and a bird, trapped in a snowstorm in the middle of nowhere, try to solve a mystery as it slowly devours them.