The Tesla World Light

A man confronts painful memories of a love affair now over. But he is perplexed by the appearance of a disgusting creature that he just can't get rid of. But can one really release oneself from the abominable things that haunt us?

A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.

Originally released in 2006, Kubasa in a Glass presents a digitally warped reflection of Winnipeg’s brief and disposable self-image, as seen through local no-budget and public access television of the 1980s.

Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

1987: While the other students wonder if new kid Robin is a boy or a girl, Robin forges a complicated bond with the school bully, making increasingly dangerous choices to fit in.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

A completely hand-made historical micro-epic about the final minutes in the life of Winnipeg's doomed Second World War hero, Andrew Mynarski (1916-1944). Combining wartime aviation melodrama with classical and avant-garde animation techniques (including stop-motion, silhouettes, bleaching, scratching, hand-painting and rubbing letratone patterns directly on the celluloid) Mynarski Death Plummet is a psychedelic photo-chemical war picture on the theme of self-sacrifice, immortality and jellyfish.

Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.

A young quebecer descends into alienation and depression.

In space, a charming little planet named Pluto dreams of joining the Solar System’s official dance troupe. With the help of her asteroid friend, Ceres, and her human discoverer, Clyde William Tombaugh, she will do everything she can to make it happen. In this children’s film, where humans and planets share the spotlight, viewers will accompany Pluto on her quest for fame, until the moment she must face her destiny.

December 31, 1999. Quebec is a few hours from year 2000 and its potential bug. Trapped in a Montreal appartement, Momo needs only one thing to survive this nightmare: couscous.

Haunted by visions of the future. Vilified by the political establishment. Charming beyond belief. Behold the dazzling ascent of Brian Mulroney, the “Boy from Baie-Comeau” who built a brand-new Canada.

The camera’s roving eye seems to warp and bend a mysterious white room in this unsettling excerpt from a film Guy Maddin created for the opening of the Toronto International Film Festival’s Bell Lightbox building.

In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.