Let the Church Say Amen!

James Forman, a 31-year-old public defender and son of a civil rights leader, provides representation for black youth in Washington, D.C., who can't afford their own attorneys in this riveting documentary that goes inside the criminal justice system. Director Kirsten Johnson's award-winning film also sheds light on the difficulties that ex-offenders face when trying to break the cycle of crime and imprisonment.

Bourne documenting the options granted to high school students who want to attend college

Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.

An intimate look at the life and career of Gordon Parks a true Renaissance man who has excelled as a photographer, novelist, journalist, poet, musician and filmmaker.

John Henrik Clarke talks about Black history.

One in a series of 13 documentaries on renowned American poets produced by the New York Center for Visual History. Described by director St. Clair Bourne as “a narrative performance documentary,” this category-defiant film on the life of poet and writer Hughes and the times in which he lived and worked moves from America to Senegal to Paris, from the 1920s Harlem Renaissance to the Black Pride awakening of the 1960s.

Before They Die! A film chronicling the survivors of the 1921 Tulsa Race Riot and their quest for justice.

Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.

Explores the influence of the African American civil rights movement, both in philosophy and strategy, on the fight for Catholic independence in Northern Ireland during the Troubles.