N.E.W.S.

Two men in chairs by the open hearth; photos move in front of their heads.

First film by Paul de Nooijer, in collaboration with his artistic father Frans Zwartjes. Moving Stills shows a series of photographs by Françoise de Nooijer, which are joined, by means of editing and colour effects, and turned into a moving picture. The erotic image gets an explosive charge. (filmcommission.nl)

Exit is a flashback by a man of fifty. He remembers the moment when, as a young photographer, he was realising an exhibition of his own artistic work when he was unexpectedly commissioned to make a music video. The offer at first seems like the answer to his financial and personal woes, but during the preparations, a childhood trauma he has not come to terms with ensures unexpected complications and everything threatens to turn into a fiasco.

The maker registers his muse on camera and Polaroid

Two men in a shop window paint each other.

To mark his ninetieth birthday, EYE has restored Zwartjes’ very first film, originally shot on Super-8 and long thought lost. Zwartjes started his career as a violinist and visual artist. He took photographs, made music and built instruments – but only really broke through with his equally craftsmanlike films.

Experimental short film.

Directed by Paul de N

An experimental short film by Paul de Nooijer.

Short film about two men in a car

In a domestic setting, two men in suits with rather glassy and listless facial expressions sit at a table with two mocha cakes on it. A classic slapstick element in an experimental setting.

What was young gets old, what was healthy is sick. Uncertainty has crept in. What started out tough ends in melancholy. In that sense, this is a farewell.

It’s always party time with the De Nooijer family at home. Innocent pleasure or a political film?

First of three versions of Transformation by Holding Time, films with the duration of one film reel in which the screen is gradually filled with Polaroids, made in one shot from one angle, without editing. In this version, the film camera registers the filmmaker who is on a moor taking Polaroid pictures of the film camera.

1981 short film by Paul de Nooijer and Jerry King Musser