Alisher Navoiy

The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.

The Cheka officers are conducting an operation to return the gold that the Basmachi plan to exchange for weapons.

The film is dedicated to the philosopher, doctor, scientist of the East and poet Abu-Ali Ibn-Sin, who lived in Bukhara in the 10th century and was known in Europe under the name of Avicenna. Bukhara. Eighteen-year-old doctor Ibn Sina saves the emir from a fatal illness. Refusing gold and honors, the young man only asks for admission to the emir's book depository as a reward. The study of the works of ancient scientists, philosophers, doctors, observations of nature, numerous experiments increase the knowledge of Ibn Sipa. The treacherous attack on Bukhara by the troops of the ruler of Ghazna Mahmud, who devastated the city and set the world's greatest book depository on fire, forced Ibn-Sina to leave his homeland. After many years of wandering, he, together with his student and assistant Juzjani, comes to the capital of Khorezm, Gurganj, to declare war on the plague raging here...

A Romeo & Juliet-esque tale set in Uzbekistan.

The story takes place in Turkestan in the year 1920. Along the narrow and deserted streets of nighttime Bukhara echoes the voice of a watchman: “All is calm in sacred Bukhara!” But how deceptive this calm is! Bukhara is gripped by intense struggle. The last Emir of Bukhara, nicknamed “the Black Consul” for the executions and the blood spilled at his command, is desperately trying to hold on to power.

A story about Nasreddin - a funny and adventurous hero of many Mid-Asian tales.

Having once seen a portrait of the shah dancer Madina Banu, the singer Murad-ali falls in love with a beauty and sets off in search of her. The hero finds himself in the palace of the Shah, and soon becomes convinced of the reciprocity of his feelings. But his appearance becomes known to the Shah. An angry ruler offers him a choice: rejection of his beloved or the burning of both at the stake.

The concert film is a gift from Uzbek art masters to Uzbek soldiers fighting on the fronts of the Great Patriotic War.

At the center of the story is the family drama of farmer Jalil from the village of Rawat, his wanderings and attempts to save his beloved girl Karaman. Her father is in debt to the local bai Abdu-Nabi and gives his daughter to him as his wife. In the vicinity of the village, the remains of Akram Khan's Basmachi gang are rampaging. Abdu-Nabi maintains a close connection with Rawat’s “jackals”. Jalil goes to the mountains to the Basmachi...

About the struggle of the Uzbek people against the oppression of local feudal lords.

Follows the life of Yuldash Akhunbabayev, one of the first leaders of Uzbekistan. The painting covers the period from the late 1930s to the beginning of the Great Patriotic War.

A biopic of Nadira, outstanding Uzbek poetess and public leader of XIX century, mother of Kokand ruler.

Surgeon Sahib Niyazi is developing a new method for healing bone fractures, but his first human operation was unsuccessful. His personal issues worsen due to his relationship with Anna, who criticizes his lack of attention and is considering a breakup, as she is being pursued by pilot Gani.

At the center of the action is Kamil Yuldashev, commander of the ChK battalion to combat banditry. He appears before the viewer with a noose around his neck. Even before the revolution, the tribunal of the tsarist Turkestan division sentenced him to death for participating in the rebellion.

Story of the first Komsomol secretary of Turkestan Abdullah Nabiyev.