The House We Live In

Film set in the seaport, where two men fight for the love of a beautiful young girl.

Rosita, a poor and naive girl, becomes entangled in a delicate love affair, which forces her to seek the spiritual help of the kind and ingenious Padre Pitillo, a country priest who does not censure the passion that has ruined poor Rosita, but puts things in their place, in his own particular way.

María Contreras (María Maluenda), a young girl from the Andes, wins a contest that allows her to travel to the United States and to triumph in Hollywood as an actress.

First feature film by Chilean director Patricio Kaulen.

The death of his newborn brother will cause a child from the poor neighborhoods of Santiago to walk around the city with the lost cardboard wings that the dead baby lost after the wake, trying to return them to him with the illusion that his little brother can fly to heaven.

When her father dies, the young protagonist must endure the injustices of her stepmother. Her life changes when Uncle Carlos appears, a generous man who suffers from blindness and who falls in love with the village teacher, who ardently corresponds to him.

A very modest employee exchanges her newborn child with the baby of a wealthy family. However, years later, when the young man is about to graduate as a doctor, he begins to investigate his hidden past.

This beautiful, atmospheric Chilean movie (made by an Argentinian director) was unfortunately "cannibalized" by Jerry Warren, who kept about a third of the original footage, together with another third of "La dama de la muerte" (another superb Chilean movie of the same period, made by Argentinian director Carlos Hugo Christensen), then added his own senseless "additional sequences" with John Carradine and Katherine Victor, the final result being the atrocious CURSE OF THE STONE HAND.