Pattern Language

A load of Halloween monsters freak each other out in a strobing cacophany.

Channeling Tarkovsky’s Stalker, this film’s fractured and spiralling narrative is traversed through a hypnotising blend of live action and various digital animation styles.

Drop City is a portrait of a computer desktop community. It takes its name from the first rural hippy commune in America, a settlement in southern Colorado that formed in 1965 constructed of discarded junk, salvaged car tops, and other detritus fashioned into inventive living structures. A decade later Drop City was completely abandoned. Nothing is left of it today.

A journey to the threshold of a utopian labyrinth. We follow the perspective of a solitary woman who descends into an abandoned subterranean arcology. She is tasked with cleaning up the mess that has spawned from this feral structure, becoming lost in the process.

Here, between the pixels - a pregnant pause of failure in the lub and dub of one's own heart.

Burr conjures a shape-shifting world where the sidewalks are endless, the radio is playing electric, and the night sky is broken open by a cataclysm of shuddering stars.

A complex assault of optical illusions, highlighting limitations of the viewers’ own body and mind. What emerges is a portrait of an anxious divided society testing the boundaries of physical awareness.

A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.

Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.

"Some parasitic nematodes have an endosymbiosic relationship with the bacteria Wolbachia. Here, we reconstruct this symbiotic relationship and break it down, finding ourselves at the model's writhing core."